1. Guy With Huge Hat Raps Auto Tune Lil Wayne 2000s Lyrics
2. Guy With Huge Hat Raps Auto Tune Lil Wayne 2000s Video
3. Guy With Huge Hat Raps Auto Tune Lil Wayne 2000s Songs

1. American rapper Lil Wayne has released 200 singles – including 19 promotional singles.Lil Wayne attained his first singles chart entry in 1999 as a featured artist on Hot Boys member Juvenile's single 'Back That Azz Up', which peaked at number 19 on the United States Billboard Hot 100 and became a top ten hit on the Hot R&B/Hip-Hop Songs and Hot Rap Songs charts.
2. Oct 05, 2012  And so, what better moment than right now, at the height of “PBR&B”-mania for dread-headed, sunglasses-wearing, top hat-sporting, Auto-Tune addict T-Pain to release a mess of a mixtape called.
3. Dec 27, 2017  In this video we look at some videos of The most Famous Rappers without any auto-tune! We have rap celebritys like Lil Uzi Vert, Quavo from the migos, Travis Scott, Lil Yachty and many more that.
4. Nov 02, 2019  Yet nothing about Tha Block Is Hot informs listeners of who or what Lil Wayne will become: a rapper-eating Martian with love for Auto-Tune and oral sex. Twenty years on, Lil Wayne’s Platinum-certified debut still isn’t a “classic,” whatever that means. Wayne doesn’t have a ubiquitous release all of the hip-hop community agrees on.
5. Lil' Wayne is also known for his attacks on George W. Bush for his response to Hurricane Katrina, and for appearing on half the rap singles on the radio in the late 2000s/early 2010s (and even some non-rap.

Dec 19, 2000  Lights Out sold 116,000 copies in its first week and debuted at number 16 on the US Billboard 200 chart. Does the album have any certifications? Lights Out went gold on June 12th, 2001. Sep 14, 2017  This was a huge part of his trademark sound until the early 2000s. His sounds next major “Rebirth' was his rock album. While still having some rap on it, it was a more guitar and auto-tune heavy body of work.

Future feat. André 3000, “Benz Friendz”
“FUTURE SOUND LIKE A MICROWAVE” went one moderately popular meme from last year, an assessment that felt more like a gentle joshing of Future’s Auto-Tune-slathered emotional delivery, rather than a collective cheap shot from the “real hip-hop” crowd. That’s to say Future has, for the most part, avoided a lot of the “this guy’s ruining rap” talk that other guys in his lane have had to endure. Probably because he’s more Kraftwerk in “Computer Love”-mode than T-Pain, but also because he has been thoroughly cosigned by the legendary Dungeon Family. And if some spoken word from Dungeon Fam poet Big Rube wasn’t enough to solidify Future’s “take this guy seriously” cred, well, here’s OutKast’s André 3000 on an Honest highlight, cogently explaining away his desire for fancy cars (in short, he’s a grown-ass, reasonable man) and Future agreeing with Three Stacks, though his reasons are more street-dude nihilistic: All of this success “don’t mean shit” and could go away tomorrow, so who freaking cares??? Yikes. A fun song that’s not so fun if you think about it long enough.

J. Stalin, “All These Girls”
A New Edition on top of Guy on top of UTFO in Skeezer Pleezer-mode with just enough Chris Brown fuck&B for it all to make sense in 2014 (molly and Instagram references help, too) that comes from baby-faced Bay Area street hero, J. Stalin on his latest album, S.I.D.: Shining In Darkness. Real life hovers around the edges of this expertly conceived rap-and-bullshit track (he mentions condom use, still a rarity in pop music; he’s in the club with all of his “killers”), as if the previous dozen or so tracks from S.I.D. threaten to overwhelm this sketch of a sex jam, which picks up where the lighter moments of his excellent 2010 album Prenuptial Agreement left off.

Nina Sky feat. Smoke DZA, “Stoners”
The world wants another “Move Ya Body” from sisters Nicole and Natalie Albino, known together as Nina Sky, but that was an effing decade ago. And after suffering label limbo for much of the mid-2000s like, well, a lot of pop stars a little too interesting for the radio, the duo has: partied with Major Lazer (“Keep It Goin’ Louder”); pulled hard-edged house-hop classic “Funk Dat” by Sagat into the new millennium (“You Ain’t Got It”); awesomely covered the Cure (“Love Song”); created the only good witchhouse song ever (“You,” with Creep); and crafted an EDM-pop slow jam with Brenmar (“Comatose”). Too odd for modern pop, too traditionally pop for the cool kids, Nina Sky is one of the most frustratingly slept-on groups around. Now, there’s “Stoners” with a verse from weed-rap capo Smoke DZA, who gets literal with it because that’s all he does, and Nina Sky doing the stoned-in-love songwriting conceit over some murky, bongwater-rippling trap-R&B.

Scarface, “No Problem”
“No Problem,” the first song we’re getting to hear from Scarface’s upcoming album, Deeply Rooted, has a beat that stomps and hobbles with a takes-its-good-ol’-time bulldog menace (a lot like the Houston hip-hop legend himself at the age of 43). And it’s just full of well-crafted quotables: “Street cred one hundred, nerd turned d-boy / ?Naughty genetic make-up, baby, I’m a g-boy”; “Rhyming at its finest unlike those vaginas”; “Homicidal maniac with suicidal tendencies / ?You’re more like a punk band, I’m more like a pedigree.” Really, “No Problem” recalls Ka, another aging, done-some-dirt veteran rapper trying to live with himself and doing it over barely-there production.Though this track’s also informed by the South’s long tradition of face-stomping hip-hop and, perhaps, Scarface’s metal obsession — never forget that episode of MTV Cribs where ‘Face shouted out Kiss and Manowar. In an ideal rap world, this would knock kids’ lids off like some Kendrick-Lamar-“Control”-type of shit.

Young Money (Lil Wayne, Nicki Minaj, & Tyga), “Senile”
A fairly big-deal song on paper, “Senile” is a Young Money track featuring Nicki Minaj, Tyga, and Lil Wayne (who actually decides to give a crap about what’s coming out of his mouth) off Young Money: Rise of an Empire, released this past March. /g-sonique-alien-303-vst-free-download.html. Then, that group album went nowhere fast (singles “Trophies” and “Lookin’ Ass” were pretty much pimped as solo songs for Drake and Nicki), and this John Carpenter-creep of a posse cut is only now getting the attention it deserved, thanks to a David LaChappelle-meets-Wes Anderson video. Tyga does his “Rack City” flow, Nicki copies and tops Tyga’s “Rack City” flow, and Wayne tosses out a verse as terse as it is batty and unhinged: “Boy, I got every award but a Heisman / ?Do a drive-by on you niggas, make a U-turn for survivors / Take a newborn from his momma, stick a shoe horn in vaginas / Got the coupe on Yokohamas, got the super soaker chopper / We’ll kidnap the kingpin, like ‘Who is your supplier?'”

Seems like we’re actually entering an era of restrained, sophisticated, and strange R&B. Frank Ocean is turning Stevie Wonder’s subtle moves on Journey Through the Secret Life of Plants into a career. The Weeknd, who was ripped off by Kelly Rowland on “Motivation” almost immediately, and more recently had his fog-soul steez stolen by Usher on “Climax,” Justin Bieber on “As Long As You Love Me,” and Kanye and crew on Cruel Summer’s “Higher,” has given coasting and complacent pop stars an excuse to experiment. Miguel, better than all of them but apparently afraid to show it before Mr. Tesfaye made it safe, now sings the Zombies over Fabio Frizzi-style synth farts and drops trippy masterworks like it ain’t no thing.

It’s all very exciting. It’s also pretty damned tasteful, isn’t it? And so, what better moment than right now, at the height of “PBR&B”-mania for dread-headed, sunglasses-wearing, top hat-sporting, Auto-Tune addict T-Pain to release a mess of a mixtape called Stoic. I like T-Pain. He’s a funny guy with a shtick, who never took himself too seriously, and figured out a way to turn that stupid thing Cher did on “Believe” into the sound for a couple of years. Then, he turned into a charming urban-radio clown who went a little hard in the guest-feature paint, and showed up on anything and everything, effectively destroying the goofy-ass goodwill he’d built up. But can really you blame him?

Out of those Auto-Tune embers came Kanye West’s 808s & Heartbreak, bombed-out-of-his-gourd-murmuring-through-Auto-Tune Lil Wayne, Bon Iver’s “Woods,” Drake, a tentative but still significant embrace of global dance that uses Auto-Tune and isn’t so caught up on “authenticity” issues surrounding it, and Future. Our ears got accustomed to the wacky warmth of Auto-Tune thanks to T-Pain, and now it’s everywhere. There’s even a case to be made that vocal manipulation, which connects, say, Oneohtrix Point Never to Drake to EDM, is the defining sound of this decade.

He’s a punchline who really, if you think about it, was an innovator. But he’ll never get the credit he deserves. The title of T-Pain’s new mixtape Stoic must in some ways refer to his approach to making music in 2012 because “stoic” is also just a fancy way of saying, “not giving a fuck,” and this mixtape is T-Pain doing whatever the hell he wants. What else can he do at this point? He raps a lot on here, and when he does, he sounds a lot like Meek Mill, actually. The first four songs on Stoic are all in “I’m A Boss” mode. He has none of the raised-on-freestyling-fury of the MMG’s rising star, of course, but when it comes sheer blathering energy, he’s immensely entertaining. From “Ain’t That A Bitch”: “These niggas trying to be the black Bill Gates / But what they can’t see / Is Bill Gates trying to be the white version of me / Ain’t that a bitch?”

And then, Stoic suddenly turns inward. “Breakup” is slurring, soft PBR&B; “Fairytale” finds T-Pain forever arguing with his significant other, but wishing his life was like a fairy tale because things would be simpler and happier, but if he can’t live in a fairy tale, well his other wish is that he had the balls to commit suicide. Seriously. On “I’ll Never Be” and “Suppertime,” he seems to be working with a super-accomplished session band ready to take T-Pain straight to a summer barbecue concert circuit, opening up for say, Frankie Beverly and Maze.

Guy With Huge Hat Raps Auto Tune Lil Wayne 2000s Lyrics

There are also some awesomely terrible (or terribly awesome) moments. Like the kind of poorly executed pandering that still brings a smile to your face. On “I’ll Never Be,” T-Pain indulges some post-Cee Lo “Fuck You” throwback soul with that doofus from Gym Class Heroes. “Monster Mash,” a song about how he’s like Frankenstein and how King Kong ain’t got shit on him (or something), is soundtracked by super-clean surf-rock and ’50s horror theremin. “Going Off” samples the default iPhone ringtone and features Big K.R.I.T.; on “FINGERPRINTING 15,” he does his version of Lady Gaga with the help of Pitbull, and beats Taio Cruz, Jason Derulo, and other cloying Auto-crooners at their own post-T-Pain game. There is no reason why this isn’t a hit, save for its baffling ALL-CAPS title.

Guy With Huge Hat Raps Auto Tune Lil Wayne 2000s Video

If you pick and choose from Stoic’s 22 tracks, you could make a pretty solid album. There are a dozen or so songs that, if sequenced correctly, would be one of the better, odder R&B relases of the year. There are also at least two schizophrenic EPs if you just divide the tracks into two playlists. A batshit crazy one that we’ll call The Champ: “The Champ,” “Ain’t That A Bitch,” “Don’t You Quit,” “Rhock En Rollah,” “FINGERPRINTING 15,” “Monster Mash,” “Mind Fucked,” “Blapper,” “Going Off,” “I’ll Never Be,” and “Hang Ups.” And a depressive, subdued one that we’ll stick to calling Stoic: “Breakup,” “Hole in My Pocket,” “Down There,” “Fairytale,” “Wool Over My Eyes,” “Streets Saved Me,” “Invisible Girl,” “Let You Go,” “Why Don’t We,” “SupperTime,” and “Exclusive.”

Guy With Huge Hat Raps Auto Tune Lil Wayne 2000s Songs

As it stands, though, Stoic is just nuts. Every transition is as inappropriate as possible. The genuinely touching struggle-rap “Hole in My Pocket” is elbowed out of the way by the completely absurd “Monster Mash.” The surprisingly Maxwell-like “Suppertime,” is followed by “HYFR” wannabe “Hang Ups,” which opens with T-Pain spoken-word-style declaring, “It’s kind of hard not to be a dick / With all these pussies around you.” But where would an excellent T-Pain album actually get this guy in 2012? No one is really looking for that. Instead, we get this sprawling, inspired mess. Aeon squelch vst download. I’ll take it. You can have your well-curated collections of painkiller slow jams.